I enjoyed our first spooky stream of the Summer of Spooks. I feel that it was a success. I had people chatting and interacting with the stream. Thimbleweed Park is such a great mystery game with elements of puzzles and comedy. I can’t wait to return to this game to see where the story goes. I will have more weird, horror games upcoming for the Summer of Spooks.
We have written 200 posts on the Number One Archives! What a feat. It’s hard to believe that we’ve been around that long. Thanks for all the people that stop by and check our posts out. It means a lot. Thanks to all of you!
Superman premiered this day 83 years ago–the cover date says June but it was published April 18, 1938. One could argue that no character has had an impact on culture and popular culture as much as Superman has. In the first issue, he appeared, Superman was portrayed as a fighter for social justice and a warrior for common good, and he hasn’t changed much since then.
Superman was created by Jerry Siegel and Joe Shuster, who were both children of Jewish immigrants who fled to the United States to flee persecution. The character of “The Super-Man” was originally a bald telepathic supervillain but would be revamped and remodeled by Siegel and Shuster into the character we all know and love.
Superman has a lot in common with Siegel and Shuster, he is an immigrant himself, sent by his parents Jor-El and Lara to our planet to save him from the destruction of Krypton. Here Superman, aka Clark Kent, leads a double life as a godlike alien and a mild-mannered reporter. As Superman, Clark Kent, inspires humanity to be their best and gives them hope for a better tomorrow. The best portrayals of Superman don’t focus on his alienness but rather on his unique humanity. Superman is an inspiration in and out of comic books. He gives humanity an ideal to strive for and hopes that things can be better.
For me, personally, I look at Superman as that ideal. He doesn’t aim to destroy or damage humanity, he uses his heroism to inspire people and lead them into a new age of generosity and kindness. Superman may toss around and fight supervillains such as Lex Luthor and Zod, but his greatest strength isn’t his fist of steel but his kind heart. As a child watching Christopher Reeve fly around helping people inspired me to treat everyone I come across with kindness. Jerry Siegel and Joe Shuster used their remarkable creativity to inspire generations to be creative and good. Since this is the Spring of Sci-Fi, I thought it would be an excellent time to highlight an icon of Science Fiction and the two creators who helped inspire the world. I want to end this post with one of my favorite Superman moments. It comes from Grant Morrison’s iconic and essential All-Star Superman and to me demonstrates who Superman is and why he is important.
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We’re back with the second and the final part of our Zack Snyder’s Justice League review. The film is still a mess, but shaping up to be better than the original cut. It’s time to review the final two hours of this four-hour superhero saga. The film, obviously, is directed by Zack Snyder. It is written by Chris Terrio. The film stars Ben Affleck as Bruce Wayne/Batman, Gal Gadot as Wonder Woman/Diana Prince, Jason Momoa as Arthur Curry/Aquaman, Ezra Miller as Barry Allen/The Flash, Ray Fisher as Victor Stone/Cyborg, and Henry Cavill as Clark Kent/Superman.
As I mentioned in the previous review, the Snyder cut does a tremendous job with the origins of Cyborg. Viewers get to see Victor Stone’s life before the horrific accident that almost killed him. The Mother Box, an alien device, is as connected to Cyborg as the Kryptonian spaceship is to Superman. If it wasn’t for the Mother Box, Cyborg wouldn’t exist. This inclusion into the film is a great addition by Snyder. However, a surprise addition follows.
After the scene where Cyborg explains the background of this particular Mother Box, we get a new sequence where Martha Kent is visiting Lois Lane in Metropolis. The pair chat with the surprise coming after the talk. Martha goes to the hallway after leaving and it’s unveiled that it’s actually the Martian Manhunter (Harry Lennix)! General Swanwick (Harry Lennix) from Man of Steel is secretly the Manhunter. He’s there to motivate a depressed Lois Lane to live again in the world. Why? His motivations are unclear.
In the original cut, there’s a scene where the Justice League resurrect Superman from the dead. The scene isn’t executed properly, as the tone is everywhere and the scene is confusing as to how Superman is resurrected. There wasn’t a thorough explanation. This time around, the movie explains better how the Mother Box can bring Superman to life. Also, the tone is better as the League are afraid of the resurrection and are somewhat at odds due to fear. Snyder introduces a new nightmare scene into this sequence. Cyborg gets a vision of what could possibly happen with Superman’s return. It seems that the future could be in peril with Superman’s return to the living.
Snyder shakes up the battle scene where Superman fights the Justice League. In the original version, Joss Whedon made the scene similar to an Avengers’ fight sequence. There’s drama injected with comical quips. Snyder’s version is all drama with peril as Superman is deadly in his return. The scene is smoother, cohesive, and it makes more sense.
The final battle sequence sees many creative changes. Unlike the original cut, the team actually loses briefly. Steppenwolf forms the Unity and the world explodes. For the first time, we get to see The Flash run into the past and rewind time. A huge, creative change that actually works flawlessly. It made the scene more impactful and that it takes the whole team to win. If Snyder gains enough success from this, we may get a sequel. It sets up a potential sequel where the league would fight Darkseid in a dark future.
Although the film’s odd at times, the Snyder cut is a deep improvement. Out of the three films he has directed, this is the best installment. Snyder had plans to do a five-film saga. Hopefully, this film generates enough buzz that Warner Brothers will let him complete his vision. If not, Snyder delivered a passionate project for the fans.
Overall rating: 3.5/5.
SPOILERS AHEAD! This is an in-depth review of the Snyder Cut for the Justice League film. Part one will review the first two hours of the movie as the film’s runtime is four hours long. Part two (the last two hours) will be reviewed at a later date. The film stars Henry Cavill as Superman, Ben Affleck as Batman, Gal Gadot as Wonder Woman, Ray Fisher as Cyborg, Jason Momoa as Aquaman, and Ezra Miller as The Flash.
The film begins by telling audiences that the movie was shot in a 4:3 aspect ratio. They kept it this way as Zack Snyder wanted this ratio for the film if it was released in IMAX theaters. For those viewers that like the widescreen ratio, they may not appreciate this. The opening scene begins at the end of Batman v. Superman: Dawn of Justice. Superman gets impaled by Doomsday, then lets out these epic screams. Screams that send out soundwaves that penetrate pivotal locations of the DC Universe. It’s haunting to see Superman’s scream echo throughout the world. In this same sequence, Lex Luthor (Jesse Eisenberg) is in a pool with no clear indication of what he’s doing. The scene is poorly executed as it’s clear that Eisenberg is in front of a green screen and perhaps the water around him is even digitally animated. It’s unclear if he’s trying to summon Steppenwolf or trying to activate the mother boxes that the Steppenwolf statue possesses.
Snyder introduces black title cards into the film now. He decided to break up the movie in parts. Around ten minutes into the film, the first black screen with a title is introduced. It reads, “Part 1: “Don’t Count On It, Batman.”” For a lengthy film, these title cards may be nifty to prepare viewers as to what’s to come next. It is reminiscent of how Quentin Tarantino introduces parts into his films.
Snyder injects the film with awkward song sequences and singing. It seems as if he’s going for a somber and emotional tone. In the scene where Bruce tries to recruit Arthur Curry/Aquaman to the league, Icelandic villagers sing as Aquaman goes underwater to swim as Bruce leaves the area. It comes off as creepy as one of the villagers sniffs Arthur’s discarded shirt while they sing. I believe the singing is why Bruce left.
Steppenwolf’s armor is more metal this time around. Steppenwolf has metal spikes on his armor that can pop outwards if he so pleases. It’s metal, but not an amazing look. Steppenwolf is sent to the earth to obtain the mother boxes. He seems formidable in his fight sequence with the Amazons. He seems to be trying to win the favor of his boss, Darkseid.
After this battle, we meet Cyborg’s father, Silas Stone. Now what’s interesting about this is that new scenes have been added that introduces a new character to the universe. Silas has a lab assistant by the name of Ryan Choi. Yes, the Ryan Choi that becomes Atom. I found this to be refreshing to see an Asian American superhero get introduced into the DC cinematic universe.
Snyder introduces DeSaad, who works for Darkseid too. DeSaad seems to be a loyal soldier to Darkseid that introduces viewers as to why Steppenwolf is doing this for Darkseid. Steppenwolf betrayed Darkseid’s commands, which led to a falling out. Steppenwolf is trying to regain the favor of his Lord. That’s why he’s trying to conquer the earth.
Snyder loves the slow motion sequences. He crafts an amazing one for when the film explores Barry Allen looking for a job in Central City. Allen walks into a doggie day care late for a job interview. He meets a beautiful female, whose name that we don’t get. While Allen talks to the manager, the female leaves and her car starts crashing into a truck driver who runs a red light. Allen runs so fast that time comes to a standstill. He saves the woman and steals a hot dog wiener that’s in the air from the crash. After Allen saves her, they share an awkward, yet romantic look until Barry gets nervous. He runs away–showing the woman his superspeed ability briefly. As the day care owner catches up in time, she sees Barry with the other dogs and feeding one a wiener. Out of all the slow motion scenes, this one is the most beautifully constructed. The others aren’t as creative or they’re for shots that don’t need it.
In the third part of the film, viewers get more insight into the life of Victor Stone/Cyborg. Cyborg didn’t have much character background in the theatrical cut of the film. The Stones are a fragmented family that Snyder does well conveying. Ray Fisher has incredible chemistry with Joe Morton (Silas Stone/Victor’s father) and Karen Bryson (Elinor Stone/Victor’s mother). The movies does a great job of describing Cyborg’s powers to the ones that are new to him. A thorough breakdown of the inner workings of the artificial intelligence system within Victor.
So, for the first two hours of the film, it’s still messy, but better than the theatrical cut. The tone seems to be more cohesive, though there are weird creative choices made by Snyder. Snyder added depth to areas that needed it and others that didn’t. The most impressive details added were for Cyborg. He got the character development that he needed.
Overall rating for part one: 3/5.
Today, our site reached a milestone. We have written 150 posts! Nice. Thanks to all of those that have stopped by to read our content. It’s greatly appreciated. Here’s to 200 posts.
In the town of Lizard Valley, there’s one news station that also doubles as a newspaper publication building. There isn’t much news to discuss these days since everyone’s in a time loop. The station decided to do a featurette where they would interview different citizens of the town with their thoughts about being in a time loop. The station uploads the videos to online platforms, so the world can see the situation that they’re in. The videos have garnered plenty of attention with average views climbing in the millions. Today’s uploaded video features an elderly couple that’s happily married–the Jensens.
The Jensens are the elderly couple that Professor Kearns talked about in his interview with the Culver City newscaster. Kearns despises that the Jensens are so cheery about the time loop. In the video, longtime Lizard Valley newspaperman Joe Schmidt conducts the interview online via his camera and the Jensens join him online. Schmidt has on a white dress shirt with a red tie. He’s in his office with pictures of his degrees on the wooden wall behind him. He has nicely combed gray hair with a black mustache. The Jensens are sitting in their backyard. Mrs. Jensen has on a straw hat with her curly gray hair flowing downwards. She’s wearing a green dress where only her pale arms are revealed. She’s heavy set, while Mr. Jenson is smaller with his frame. He has on sunglasses with slicked back white hair. He has on a green polo with khaki pants. They’re sitting under their sun roof with their pool and water shining in the back.
The camera shot begins with Schmidt in his office.
“Today, we’re talking to the Jensons in an another installment of the “Looping Lives of Lizard Valley.” The Jensons are the elderly couple that Professor Kearns hinted at in his interview with the Culver City news. How do you two feel about the professor’s comment?”
Both of the Jensons shake their heads.
“Awful comments,” said Mrs. Jenson.
Mrs. Jenson looks at Mr. Jenson and back at the camera.
“We are enjoying this loop. We’re immortal practically. I’m sorry that the professor is sick, but he shouldn’t talk about us who enjoy the loop.”
Schmidt nods in agreement.
“How does it feel to be close to immortality?”
The Jensons smile.
“We feel so young and vibrant. We don’t have to worry about our health declining now. How do you feel, Schmidt?”
“I’m okay. Wish this would’ve started when I was younger.”
They all chuckle together. Schmidt asks the couple one more question.
“Any words for the people watching that’s not from Lizard Valley?”
“Yes. Come here if you wanna live forever. I mean, the day starts the same every time, but the rest of it is up to you.”
“Alright. Special thanks to the Jensons for joining us! Please tune in next week for a new web episode. “
We’re just going to end Streamageddon with Spider-Man. I’m pooped. I appreciate all of the support in the past 4 days on the blog and on my Twitch channel. 13 broadcasts in a total of 4 days. I’ve created plenty of content. The ice and snow gave me a couple more days extra to make content. I also kept our blog well updated. Once again, thanks, and I’ll be back with more streams.